Being able to stand out among 21 diverse mademoiselles is the next big thing for the indwellers of the land known as Bulaklakan. Considered as the Culture Capital, the annual tournament of physique and cognition is held to celebrate the integral aesthetics of mademoiselles while being able to partake in the opportunity of honoring the arts, culture, and heritage of the said nation. During the month of September, aspiring mademoiselles who possess the winning touchstone for the yearly tournament are randomly drawn from the 21 respective localities found in Bulaklakan to undergo the nine stages of becoming the fairest mademoiselle with a purpose. Each of the 21 localities is necessitated to pick out the most eligible player who would best mirror its character and would dare to own the royal head gear of victorythe diadein. Throughout the tournament, watchmen serve as surveillances witnessing how the fairest mademoiselle will ace the extensive line of rivalry and climb its way up to deserve the royal head gear, which is to be vested by the Trategisma. Winning the tournament entails the testing of the different areas of power owned by each mademoisellewithin the nine stages, the 21 players will be given the chance to showcase what strengths they have got and how will these make them stand out among others throughout the duration of the battle. Beginning with the first stage called the Tionducpro Bernum, mademoiselles sway their bodies to the music of their personalities so as to build up a striking first impression to the Trategismafor every move they portray, the challenge is to exhibit varying aspects of their character for only a limited period of time and action. Moving on with the second stage known as the Lenta Tionpor, three to five minutes will be provided for the players excellent showcase of the possessed strength that is most dominant in them which can be in the form of either emitting melodiously drawn tones through the hitting of musical notes, or accompanying rhythmic bodily movements with appropriate musical sounds of succession. After which, comes the third stage termed as the Ualcas Raew where guarantors determine a specific theme of a clothing ensemble and the 21 mademoiselles wearing it must come up with a one-of-a-kind projection, embodying their exceptional style among the sev
eral flavors put forward in the tournament. Subsequently, in the fourth stage named as the Strops Reaw, the players must be able to exhibit their aggressive visage as they move out from their conforming and prejudiced reputation of being modest and demure. In other words, this stage puts the players into a battle of fierceness. In contrast to the previous stage, the fifth stage entitled Malfor Reaw, mademoiselles are tasked to flaunt a semblance of splendor and elegance by making use of long flowing cuts of luxurious fabric sutured into a single garment. Succeeding the stage of elegance is the sixth stage identified as Bankasing Tireat where the 21 players highlight the promotion of their localitys heritage in the form of embellished textiles created by enchanted sophies, purposely made to fit mademoiselles engaged in the tournament. The very purpose of these custom-made luxury pieces is to depict an inter-locality match among the players. Next of, is the most sensational stage recognized as the Tionques nad Werans, where watchmen eagerly scrutinize the performance of the 21 mademoiselles in exercising the power of reasoning and incisiveness in proving their awareness concerning the vivacious chronicle of Bulaklakan. In here, Trategismas assess how the 21 players epitomize the fusion of ancient principles and contemporary epoch in tourism-rooted avowals. Thereafter, comes the long-awaited part referred to as the Dingwara NymoreceTrategismas determine the most prominent mademoiselles in the various areas of power being contended for and grants them with bands serving as emblems of an honorary. These bands designate respective players of the following entitlements: Snapshot Aesthetic, Jewel of the Watchmen, Mademoiselle of Amicability, and Finest Apparel Splendor. Most especially, it is in this part that watchmen are able to behold the bestowal of the diadein to the fairest mademoiselle by the chief of the Trategismas. Finally, the tournament culminates by the time the royal head gear of victory is worn by the fairest mademoiselle, who then walks eventually with pride; projecting a powerful character of brainpower, conviction, composure, charisma and meekness above all. In simpler terms, the victor of the tournament echoes the truest and richest heritage of the Bulaklakan as the Culture Capital.