Graffiti art is an uncommissioned urban art revolution by any sense of movement and cultural heritage and a radical contemporary art movement that artists used as a social expression of protest that illustrates ideas from an environmental perspective to convey political or social opinions. It involves the unauthorized spraying, painting or scratching of words and images on buildings, bridges, streets or any other surfaces usually in public places. It is regarded as a form of rebellious art form. It is an evolutionary art movement that arose in New York, Berlin or London, since the mid-1970s to 1980s, that is closely linked with hip-hop culture and the production of elaborately designed as an expression of discontent that associate their selves that often use specific symbols, signatures or tags in their graffiti to adopt a particular style that connects an internal language within the culture interacting with the people to convey their relevant me
ssages. Graffiti can be a springboard for the examination of personal identity, commercial design, social history, and community conflict. (Whitehead, J. L., 2015) Within the street art world, graffiti artists do not consider their art work to be defacing public or private property, but rather see it as bringing a voice to the disempowered (Howze, 2008), beauty to an unsightly locale, or developing ones identity through a pseudonym (Othen, P., 2006). They seek to retain the exciting, outsider, rebellious spirit that originally helped define the graffiti art revolution throughout the years. As it was a visual representation with a unique and holistic aesthetic (Kan, 2001, p. 21). Graffiti art is an experiment in identity, working to develop a sense of self as the artist progresses artistically and developmentally to express their personal visions, values, and opinions on a daily basis on the streets as their explosive platform as a graffiti artist.